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Movie Train - FILM REVIEWS by Morgan Bell

 
Fresh critical film reviews by young Australian journalist Morgan Bell. A bight-sized opinionated analysis of popular movies and indie/art-house feature films. Explores plot, themes, characters, performances, soundtracks and film technique. Morgan Bell assesses movies in the context of what makes a successful cinema or DVD experience.

Movie Train - September 2008

REVIEW: Street Kings

September 26th 2008 16:43
Directed: David Ayer (Harsh Times)

Written: James Ellroy (L.A. Confidential, The Black Dahlia), Kurt Wimmer (Sphere, Ultraviolet, The Recruit)

Starring: Keanu Reeves, Forest Whitaker, Hugh Laurie, Chris Evens, Jay Mohr, John Corbett

Allow me to appropriate a fantastic line from Jason's "Eagle Eye" film review on Salty Popcorn

So a director tries to send three films into a bar to get tipsy and have a threesome. The films are Training Day, The Departed, and A Few Good Men. He expects to breed a super-film hybrid taking the best elements out of each and showing us the perils of corruption in ways we have never seen before . . . and what do we get . . . a donkey!

Sorry Jason, I know you enjoyed this one so it is cruel and unusual of me to use your own analogy to mock it!

Maybe ill try another one? Do you remember the 80s comedy movie "Twins" with Arnold Schwarzenegger and Danny DeVito? Six geniuses contributed to a "sperm milkshake", Arnold was the product of their combined purity and strength while Danny was the "leftover crap" . . . now Danny wasnt really that crap, sure he wasnt as strong or intelligent as his superior twin brother but he had some great qualities, he wasnt a waste!

That kind of sums up what i think of Street Kings: not total crap, has a few redeeming qualities, but when compared with what it could have been is glaringly substandard. This film has the atmosphere of Training Day but none of the passion. It has some powerful "you cant handle the truth" type lines yet is absent of polarising ethics that invite you to think. It has a complex plot but is so cliched that it is somehow predictable. Theres nothing new here.

**SPOILER ALERT**





no really, MAJOR SPOILERS AHEAD, do not read on if you have not seen it

(even though you will probably figure them out way before they unfold)

The thing that i really dont get, the fundamental flaw, is why every single cop in the movie was crooked! All of them are tampering with evidence, burying reports, bullying and intimidating others, lying, stealing, bribing, coercing and covering-up. Every last one of them in varying degrees. Being a little bit corrupt is like being a little bit pregnant, you either are or you arent. And everyone is! We have no "clean" cop as contrast, and with no clear contrast everything appears a little dull!

Keanu was crooked, his boss (Whittaker) was crooked, the newbie (Evans) was crooked, the murdered cop was crooked, all the co-workers were crooked (and as it turns out really nasty), the drug dealers all turn out to be crooked undercover cops, even the hard-arse internal affairs snitch (Laurie) ends up being crooked. So we start with a crooked cop who investigates a murder and finds out all of the other cops are crooked and then in the moments where he should be lamenting over the error of his ways and the slippery slope of corruption and cover-ups he instead hatches a plan to cover-up the cover-up! Seriously guys, what kind of character development was that?

Also, a smaller complaint, why did they give Jay Mohr that ridiculous moustache?

Street Kings - Jay Mohr's moustache second from left







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TOP TEN Films Depicting Real Life Artists

September 23rd 2008 07:01
Here are TEN of my favourite bio-pics about the some of the most prolific and innovative artists of all time. Each of them is a period film attempting to recreate the times and events which surrounded the creation of specific artworks and cemented the artists as legends. None of the artists are still living, and these are the films that i think most effectively preserves the legacy of their genius.

The film-makers attempt to take snippets or slices out of the artists life which were most profound. In many of them we see the formative years where love and relationships moulded the artists style and personality. In others we see the effect of the muse and the rejections and losses that shaped history.

My TOP TEN film selection includes a broad cross-section of creative characters, from different eras and backgrounds, some famous recluses, and some with surprisingly touching stories that i was not aware of before viewing the film.


Visual arts

1. Girl With A Pearl Earring (2003)
Artist: Johannes Vemeer (1632-75) Dutch Baroque painter
Played by: Colin Firth

Scarlette Johansson and Colin Firth in Girl With A Pearl Earring



2. Factory Girl (2006)
Artist: Andy Warhol (1928-87) American Pop artist
Played by: Guy Pearce

Guy Pearce as Andy Warhol in Factory Girl



3. Frida (2002)
Artist: Frida Kahlo (1907-54) Mexican Surrealist painter
Played by: Salma Hayek

Salma Hayek as Frida Kahlo in Frida



4. Sirens (1994)
Artist: Norman Lindsay (1879-1969) Australian painter, sculptor, illustrator
Played by: Sam Neil

Tara Fitzgerald, Sam Neil and Hugh Grant in Sirens






Writing

5. Quills (2000)
Artist: Marquee De Sade (1740-1814) French writer of cruel and violent pornography, the word "sadistic" is derived from his name
Played by: Geoffry Rush

Geoffrey Rush and Kate Winslet in Quills



6. Finding Neverland (2004)
Artist: J.M. Barrie (1860-1937) Scottish novelist and playwright, creator of Peter Pan
Played by: Johnny Depp

Johnny Depp as Barrie in Finding Neverland



7. In Love & War (1996)
Artist: Ernest Hemmingway (1899-1961) American novellist
Played by: Chris O'Connell

Chris O'Donnel and Sandra Bullock in In Love & War



8. Miss Potter (2006)
Artist: Beatrix Potter (1866-1943) English author and illustrator, creator of Peter Rabbit
Played by: Renee Zellweger

Ewan McGregor and Renee Zellweger in Miss Potter






Music

9. De-Lovely (2004)
Artist: Cole Porter (1891-1964) American composer of musical comedies including Kiss Me Kate and Anything Goes
Played by: Kevin Kline

Ashley Judd and Kevin Kline in De Lovely



10. Hilary & Jackie (1998)
Artist: Jacqueline du Pre (1945-1987) English cellist, definitive virtuoso
Played by: Emily Watson

Emily Watson as Jacqueline du Pre in Hilary & Jackie






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REVIEW: Alvin & The Chipmunks

September 17th 2008 13:12
A childrens movie with sophisticated humour to entertain adults . . .

Directed: Tim Hill (Garfield 2, Muppets From Space)

Written: Jon Vitti (The Simpsons Movie) - based on the original 1958 concept by creator Ross Bagdasarian Sr

Starring: Jason Lee (Mallrats, Chasing Amy, Almost Famous, TVs My Name Is Earl), David Cross (The Cable Guy, Shes The Man, TVs Arrested Development, TVs Just Shoot Me)

Voices:

Alvin - Justin Long (Jeepers Creepers, TVs Ed, poster boy for Apple Mac)
Simon - Matthew Gray Gubler (TVs Criminal Minds)
Theodore - Jesse McCartney (TVs Summerland, pop singer)

In the 1950’s, an innovative man by the name of Ross Bagdasarian, Sr. released records under the name of David Seville and the Chipmunks. To create the voices Bagdasarian recorded his voice and then sped up the playback. The success of the songs led to the creation of an animated series. The voices were all done by Bagdasarian, and his high-pitched characters earned him two Grammy Awards for engineering. Alvin, Simon, and Theodore were the names of executives for Bagdasarian’s record label.

Jason Lee and the animated Alvin & The Chipmunks




In 2007 an acted film which used CGI animation for the chipmunk characters was released called Alvin & The Chipmunks. The film tells the story of how they first meet David Seville (Lee) who is a scruffy songwriter, and follows the lives of the chipmunks as they seek out a father figure whilst becoming embroiled in the callous pop music industry. As the talking and singing chipmunks rise to fame a music mogul called Uncle Ian (Cross) tries to take advantage of their talents and seperate them from their beloved Dave.

The things that really work in this film is the infectious music and the knock-out performances of comedy duo Lee and Cross. Songs include the traditional chipmunk classics "Witch Doctor", and "The Chipmunk Song (Christmas, Don't Be Late)", and some entertaining covers of disco hit "Funkytown", and Daniel Powter's "Bad Day". Jason Lee is perfectly cast as Seville, his trademark sarcasm, frustration, and general expressions of disbelief work in seamlessly with the naughty behaviour of his furry companions. David Cross plays the detestable manipulative villain so well, his lack of care or knowlegde about creative processes is hilarious, he doesnt know what a choreographer is, he represents the business side of the music industry and only cares about making money - at any expense!

I found this film surprisingly funny and very enjoyable to watch. The humour was quite sophisticated for a childrens film and the chipmunks actually looked quite cute and adorable (as opposed to that ugly unlikable CGI montrosity Garfield). It was a blast from the past to revisit our old familiar friends the chipmunks, yet somehow the modern take on the story let me reminisce while providing an overall refreshing feel!

creator Ross Bagdasarian posing with Alvin

the original Alvin & The Chipmunks

the modern Alvin & The Chipmunks

Alvin & The Chipmunks go 3D with CGI



watch Alvin & The Chipmunks sing "Funkytown" . . . in the nude! haha







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REVIEW: Rob Zombie's Halloween (for Bryn)

September 16th 2008 13:25
I rarely watch horror movies, so not surprisingly this remake really took my fancy . . .

Director: Rob Zombie (House Of 1000 Corpses, The Devils Rejects)

Written: Rob Zombie - adapted from the original 1978 screenplay by John Carpenter (Dark Star, The Fog, Escape From New York)

Starring:

Dr. Samuel Loomis (child psychologist) - Malcolm McDowell
Ismael Cruz (Michaels caretaker at the sanitarium) - Danny Trejo
Michael Myers (adult) - Tyler Mane
Michael Myers (age 10) - Daeg Faerch
Deborah Myers (Michaels mum) - Sheri Moon Zombie
Judith Myers (Michaels older sister) - Hanna Hall
Ronnie White (Michaels defacto step-dad) - William Forsythe
Sheriff Lee Brackett - Brad Dourif
Laurie Strode - Scout Taylor-Compton

I dedicate this post to our resident horror movie reviewer, Bryn, as he is a true horror fan who I know adores the original 1978 Carpenter "Halloween" and didnt particularly enjoy this remake - if you want to see an experts opinion on how Rob Zombie's version compares to the original CLICKHERE for "Halloween (2007)" by Bryn on Horrorphile

However, I must confess, I myself am not a fan of the horror genre and I have never seen the original so I can only review Rob Zombie's Halloween as a stand-alone piece. I experienced this film without any specific hopes or expectations, but afterwards I was sure to check out what Bryn had to say:


Zombie’s screenplay has a whole back history explaining why Michael Myers becomes the psychopathic killer we all know and love him for. But by explaining everything, Michael becomes less and less the boogeyman, and more and more just your average fucked up mass murderer.


Bryn - Horrorphile


This quote pretty much sums up exactly why I did like this film. Rob Zombie presents us with a massive amount of back-story and gives us the chronological progression of the key moments that warped the mind of a young boy into a that of a detached monster. Zombie literally lifts the mask on the cult character of Michael Myers. It wasnt "jump out of your seat" scary but it was very sobering in its realism.

Rob Zombie's Halloween is to the Halloween franchise as Hannibal Rising was to the Silence Of The Lambs franchise, or as Batman Begins was to the Batman franchise . . . it is a heavily detailed prequel which sheds a new light on the motives of a pop-culture icon . . . it uses a different perspective to humanise a one-dimensional boogeyman . . . exactly what Bryn said right? It depends whether you think this is a good thing or a bad thing!

Rob Zombie and the Michaels of Halloween




Psychologically this script is fascinating! Traumatic events shape Michael's childhood to the point where he completely withdraws and cant relate to people anymore. We see Michael as a socially awkward boy struggling to cope with bullying, a broken home, an abusive step-parent, the overt sexuality of his mother and sister, the neglect of being left unsupervised, the ridicule of his peers and family, even his descent into mutilating animals . . . and the result is a de-sensitised man who uses masks to escape into a different (stronger and colder) persona.

There is a healthy dose of female nudity in this film but I thought it was done tastefully and emphasised the confidence of the female characters. The nudity was also a plot device serving to suggest that displays of sexuality were a trigger for Michaels murderous rages (he was routinely taunted about his mother working as a stripper and was exposed to her promotional posters). Perhaps the most interesting thing about this film is the ambiguity of why Michael is pursuing Laurie Strode - is it to kill her or to seek a human connection with her?

I think Rob Zombie has made an intelligent and complex film about the consequences of mistreating children, it is horrific but is it good horror? Probably not . . .

Dr Loomis (McDowell) speaks to Michael Myers in Rob Zombies Halloween


from left Imael Cruz (Trejo), Michael Myers, and another caretaker during patient transport in Rob Zombies Halloween






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REVIEW: Michael Moore's Sicko

September 12th 2008 09:12
A documentary comparing the highly profitable American health care industry to other nations, and HMO horror stories.

Directed & Written: Michael Moore (Farenheit 9/11, Bowling For Columbine, Roger & Me)

Michael Moore has a very charismatic way of approaching documentary film, his films evoke an emotional response because he chooses to look at how large beaurocratic problems affect individuals. Moore's style is to present the stories of these individuals (who make up the worst case examples) as warnings of where we all could be headed. As an Australian i know our government looks towards the USA as the beacon of light of where we should be headed economically. Privatisation can seem like a fairly harmless idea based on the "fairness" of a user-pays system. Sicko reveals just how much of a shambles the American system is in and just how out of proportion medical fees have become when since the insurance companies have been given free reign to turn a profit from the misfortunes of others.

Sicko chronicles exactly how the American HMO system came about and the political "buying off" that occurred around Hillary Clinton's suggested health care reforms. Moore shows what a big buisness Health Insurance has become - he shows this somewhat through statistics, but most effectively by interviewing former employees who recount the inconscionable policies they were made to enforce. These stories of individuals who give first-hand testimonies of devastating deaths, disfigurements and general inhumane treatment. By the point in the film that Moore takes heroic 9/11 volunteers to Cuba to seek affordable medical treatment i was a emotional wreck, a complete puddle of tears - the message is powerful: THIS COULD BE ME

This is a very important documentary that lifts the lid on how inadequate and dangerous the American HBO system really is. My only criticism is that when comparing health care in France with the USA Moore did not use individuals from the same socio-economic groups or discuss the tax differences that come with socialised systems. Its not really a complaint as such because i realise a film-maker only has a limited amount of time to get his points across effectively. This film is an excellent starting point for anyone curious about the state of American health care.

Michael Moore's Sicko (documentary)


Sicko by Michael Moore





If you are looking for a more objective, less emotional, documentary film about the health care system in the USA i would recommend "Sick Around The World".

In Sick Around the World, FRONTLINE teams up with veteran Washington Post foreign correspondent T.R. Reid to find out how five other capitalist democracies -- the United Kingdom, Japan, Germany, Taiwan and Switzerland -- deliver health care, and what the United States might learn from their successes and their failures.

Sick Around The World by Frontline (PBS)







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REVIEW: The Namesake

September 11th 2008 13:43
Directed: Mira Nair (Vanity Fair, Monsoon Wedding, Mississippi Masala)

Written: Sooni Taraporevala (Mississippi Masala) - based on the novel by Jhumpa Lahiri

Starring: Kal Penn (Epic Movie, Van Wilder, Harold & Kumar Escape from Guantanamo Bay), Tabu (Maqbool, Meenaxi: A Tale of Three Cities), Irfan Khan (Maqbool, The Darjeeling Limited, A Mighty Heart), Jacinda Barrett (Bridget Jones: The Edge Of Reason, The Last Kiss), Zuleikha Robinson (Hidalgo, The Merchant Of Venice)

This is the story of the Ganguli family which explores the significance of a persons name and the the meanings behind which names we choose to keep and which names we choose to change. The Ganguli family begins with a young Indian husband, Ashoke (Khan), and wife, Ashima (Tabu), and follows their lives as they immigrate to America and have children of their own. This film explores the clash of cultures between Indian and Western life and the difficilties that immigrants have assimilating in a foreign land. What makes this film different is that it isnt full of negativity and racism, the battles are internal.

Tabu and Irfan Khan in The Namesake





Ashoke and Ashima name their son Gogol after the Russian author as one of his books marks a significant milestone in their lives which was the catalyst for their desire to travel. This name is a "pet" name which they assigned until the extended family selct a "god" name, a tradition of their Bengali heritage. During his lifetime Gogol (Penn) alternates between his pet name and his god name, Nikhil, for different reasons. Having been raised in America he sometimes struggles to relate to his parents and their seemingly different values. Gogols journey is contrasted with his sisters experience, the experience of his Western friends, and the experience of his lovers. The significance of ones name and the respect it should be given is raised many times during the film, including whether a woman should change her surname in marriage, and Gogol/Nikhil learns much in life due to the importance the people around him place on his name.

The Namesake is a thoroughly enjoyable "foreign" (it is partially subtitled) film. Overall it is an uplifting experience but it is a tear-jerker in places. The film examines generational and cultural differences between characters and spans enough time to include the births, deaths and marriages that make up human life. It is refreshing to see Penn in a serious role and the performances of Tabu and Khan were touching and genuine.

The Namesake is cleverly written and little glimpses of humour peek out when you least expect it . . .

Ashoke: There is something I always wanted to ask you, but never had the courage. All those years ago, why did you say yes to me?
Ashima: You were the best of the lot.
Ashoke: Huh?
Ashima: Better than the widower with four children or the cartoonist with one arm . . . I also liked your shoes.
Ashoke: Oh. Oh, okay.
Ashima: Hmm, you want me to say "I love you," like the Americans.

Tabu, Kal Penn, and Jacinda Barrett in The Namesake


TRAILER - THE NAMESAKE




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REVIEW: Baby Mama

September 5th 2008 08:00
Directed: Michael McCullers (debut)

Written: Michael McCullers (co-writer TVs SNL, co-writer the Austin Powers film series)

Starring: Tina Fey (Mean Girls, TVs 30 Rock), Amy Poehler (Mean Girls, Blades Of Glory, Deuce Bigalo), Greg Kinnear (As Good As It Gets, Little Miss Sunshine), Sigourney Weaver (Heartbreakers, Galaxy Quest, Dave), Steve Martin (Bringing Down The House, Dirty Rotten Scoundrels)

OK so the basic premise here is that Kate (Fey) is a rich single woman who - via a surrogacy agency run by Weaver - hires the white trash Angie (Poehler) to carry her baby for her. Lies are told and uncovered, relationships are formed and broken and reformed etc. I felt as though this film didnt even need a pregnancy to run through its gags, it is basically just an "odd-couple" situational comedy. Rich and poor is pretty much all it comes down to. Neat, tidy, and uptight vs dirty, messy, and laid-back. Also, i saw this film as a spur of the moment decision and when i saw Tina Fey credited as the star i presumed she wrote it - be warned, she didnt. Baby Mama falls down mostly due to inconsistant writing, McCullers has tried to do an extended SNL skit which slumps badly whenever it attempts to become sentimental. Perhaps he would have done better to do a re-write with Fey (or his old bubby Mike Myers) so he had someone to bounce ideas off and keep the pace? Excellent cast, some laugh out loud moments, overall dud script.

Tina Fey and Amy Poehler in Baby Mama
one of the few funny moments


BABY MAMA TRAILER








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