Read + Write + Report
Home | Start a blog | About Orble | FAQ | Sites | Writers | Advertise | My Orble | Login

Movie Train - FILM REVIEWS by Morgan Bell

 
Fresh critical film reviews by young Australian journalist Morgan Bell. A bight-sized opinionated analysis of popular movies and indie/art-house feature films. Explores plot, themes, characters, performances, soundtracks and film technique. Morgan Bell assesses movies in the context of what makes a successful cinema or DVD experience.

Movie Train - May 2008

REVIEW: Running With Scissors

May 28th 2008 11:05
Directed: Ryan Murphy (debut)

Written: Ryan Murphy (Tvs Nip/Tuck) from the book of memoirs by Augusten Burroughs

Starring: Joseph Cross (debut), Jack Kaeding (debut), Annette Bening (American Beauty, In Dreams, The American President, Regarding Henry), Alec Baldwin (The Juror, Malice, Beetle Juice), Brian Cox (Zodiac, Adaptation, Troy, Match Point, The Ring), Jill Clayburgh (TVs Dirty Sexy Money), Gwyneth Paltrow (Emma, Sliding Doors, Bounce, Shakespeare In Love), Joseph Fiennes (Elizabeth, Shakespare In Love), Evan Rachel Wood (The Missing, Thirteen, The Upside Of Anger)

This is a film adaptation of the memoirs of the childhood of American writer Augusten Burroughs which explores themes of homosexuality, mental illness, and family. I found this film very confronting as it is essentially a black comedy in which some very serious things happen, including child sex abuse and animal cruelty . . . the film doesnt flinch for a second and it makes you quite uncomfortable with how raw it is . . . we see that finding humour in the absurd was Burrough's (played by Cross as a teen, and Kaeding at age six) main coping mechanism with the confusing world he was emmerced in. Baldwin is the alcoholic father and Bening is the mentally ill mother who desperately wants to be a successful writer but is over-medicated and detached from reality. Dr Finch (Cox) is the unconventional therapist who adopts Burroughs while his mother undergoes therapy and his father is absent . . . Finch's wife (Clayburgh) and two daughters (Paltrow and Wood) are as unconventional as he is and another "adopted son" (Fiennes with a killer moustache) is unpredictable . . . the house is dirty and unhygenic, many of the residents of the house suffer delusions, and we are never sure if Dr Finch is helping or exploiting any or all of them . . . Burroughs childhood was basically hell and this is the story of how he maintained his sanity even though nothing in his life was stable. This isnt easy viewing but features some superb performances, especially by Bening and Wood, and questions whether involving finances in mental health turns therapists into opportunistic "gurus". Excellent soundtrack featuring Bruce Springsteen and Elton John where the music often takes over the scene making us pause and consider the weight of the events we are watching.




Joseph Cross (as Augusten Burroughs) and Evan Rachel Wood in Running With Scissors




59
Vote
   


REVIEW: The Heartbreak Kid

May 25th 2008 14:49
No not the seminal Australian teen angst student/teacher romance film from 1993, this review is about the NEW American comedy from 2007



Directed: Bobby & Peter Farrelly (Shallow Hal, Dumb & Dumber, Theres Something About Mary, King Pin)

Written: Scot Armstrong (Roadtrip, Old School, Starsky & Hutch), Leslie Dixon (Outrageous Fortune, Overboard, Mrs Doubtfire, Hairspray), Kevin Barnett, and the Farrelly Bros - from a short story by Bruce Jay Friedman (The Lonely Guy, Splash)

Starring: Ben Stiller (Zoolander, Meet The Parents, Theres Something About Mary, Starsky & Hutch), Malin Akerman (27 Dresses), Michelle Monaghan (North Country, Kiss Kiss Bang Bang), Jerry Stiller (Hairspray, Zoolander, TVs King of Queens, TVs Seinfeld), Rob Corddry (Blades of Glory, Failure To Launch)

This is the story of a middle-aged man named Eddie (Ben Stiller) who is convinced by his father (Jerry Stiller) and his pussy-whipped best mate (Corddry) that he needs to stop fearing committment and marry the next nice girl who comes along, which happens to be the bubbly blonde Lila (Akerman). Somewhere between the wedding altar and the mexican honeymoon Eddie realises he really didnt bother to get to know Lila at all . . . she has a list of annoying traits as long as your arm and a very spotted past . . . and Eddie starts to suffer from buyers remorse when it comes to the prospect of spending the rest of his life with someone has has nothing in common with . . . its not just that he doesnt love Lila, he doesnt even like her! While he is drowning his sorrows at the bar of the honeymoon resort he befriends the sporty brunette Miranda (Monaghan) who turns out to be his perfect match and from there the trouble snowballs with lies compounding more lies and some very awkward situations. This is a fairly average comedy with most of the laughs coming from Ben Stillers trademark look of astonishment when the people around him are acting insane (think Meet The Parents). It has been written more like an extended sit-com and if you look at the crew who collaborated on it and there other projects you will see why. There is a surprisingly graphic sex scene which seems really out of place at the ending made the whole film seem like a skit off Mad TV. If you like other Farrelly Bros flicks then you will probably enjoy this.

Ben Stiller and Michelle Monaghan in The Heartbreak Kid (dir: Farrelly Bros)




FILM TRAILER

36
Vote
   


REVIEW: Lions For Lambs

May 21st 2008 16:22
Directed: Robert Redford (The Horse Whisperer, Quiz Show)

Written: Matthew Michael Carnahan (The Kingdom)

Starring: Tom Cruise, Meryl Streep, Robert Redford

This film felt like it was intended to be pro-war propaganda but with extremely confused messages and alot of backflipping. Streep is an accomplished reporter interviewing Cruise who is a conservative military-trained Senator trying to promote a new mission in Afghanistan through the media . . . meanwhile Redford is a vietnam-vet college teacher who is trying to rid a rich student of his complacency by comparing him to a couple of poor kids who enlisted in the army (and are currently the pawns in Cruises diabolical plans) . . . by the time i got to the end i was wondering what the actual point was? It seemed like a vehicle for Tom Cruise to make patriotic statements like he and Jack did in "A Few Good Men" but then the film back-peddles a bit and shows Cruise as opportunistic and using soldiers as bait to serve his political ambitions . . . Streep likens Iraq/Afghanistan to Vietnam but is it only to give Cruise a softly-spoken wall to bounce his diatribe off? Is the film implicating the media as being partially responsible for the war due to its inability to stand up to the politicians? I think Redford was advocating the questioning of the government yet applauding the students who chose to enlist . . . it kind of seemed like anyone opposing the war was shouted down and silenced, those brave enough to participate in the war were sacrificed for the sake of ego, and those orchastrating the war were successful . . . i think the underlying message was the we should endeavour to stand up for something, but for what? Is fighting "evil" futile? And wich "evil" should be fought? The message was either to question authority or to stop the terrorists . . . but then at the same time dont bother because nothing ever changes and the brave (lions) are being led by the unscrupulous (lambs) . . . its a very mixed message, im clearly very confused!



Meryl Streep in Lions For Lambs


73
Vote
   


"The Assassination of Jesse James by the Coward Robert Ford"

Why such a long name?

According to Andrew Dominik, Brad Pitt had it put in his contract that the name of the movie was not to be changed. It's also the original title of the book upon which the film is based, and it's in keeping with the time the film is set.



Directed & Written: Andrew Dominik (Chopper) based on the novel by Ron Hansen

Starring: Brad Pitt (Fight Club, Twelve Monkeys, Kalifornia), Casey Affleck (Good Will Hunting, Drowning Mona, Oceans Eleven), Sam Rockwell (The Green Mile, Charlies Angels, Hitchhikers Guide To The Galaxy), Mary-Louise Parker (Fried Green Tomatoes, Boys On The Side, Angels In America)

Jesse James (Pitt) was a bank and train robbing outlaw just after the American Civil War who is widely regarded in the southern states as a confederate "robin hood" type character who refused to accept the rule of the northern states by bucking the system and becoming an enemy of the new government.

This film is a slow-paced, lengthy and detailed account of the events leading up to his assassination by his friend and fellow gang member Robert Ford (Affleck). This film goes to great lengths to explain James is paranoid, sadistic and unpredictable, a stark contrast to the legend most people believe. Frankly im really tired of seeing Pitt in the role of the zany impulsive nutcase, it is really wearing thin with me as i think every time he reaches for "crazy" he just ends up coming off ridiculous, he plays it too random to the point where you cant see the characters motivations at all . . . so Jesse James was paranoid and constantly tormented and tested those close to him . . . this film is as repetitive as it is blatant, there is no nice subtle characterisations with James here . . . scene after scene just showing everyone was scared of him, then theres the constant voice-over telling us again just incase we missed it . . . the thing which is fantastic about this film is the performances of Affleck and Rockwell as they really nail their characters . . . the script however is sadly lacking and spends an incredible amount of time documenting every tiny diary entry detail while neglecting to inform the audience of the broad concepts of the time. Robert Ford idolised Jesse James but resented him due to his erratic and cruel behaviour, Ford was put in a position by the government where he felt his only option was to assassinate him. I dont know why it takes two and a half hours to say this . . . its bleak and depressing and trying to be a biopic with reams of unnecessary conversational detail while ommitting all the interesting facts.

Brad Pitt and Sam Rockwell in The Assassination of Jesse james





film trailer

72
Vote
   


i am such a huge fan of "J.Lo" as an actor, her romantic comedies are some of the best ive seen and given the right material i think little miss "Jenny From The Block" brings a unique sparkle to the silver screen . . . the camera loves her, completely eats her up . . . she brings a humble sensual quality to all her roles, and shes probably the most exquisite natural beauty ive seen in modern feature film . . . yeah im totally smitten!

Jennifer Lopez has a great expressive face and can achieve genuine laughs in comedy while conveying genuine greif, fear, sadness, relief or joy in dramas . . . her ability to emote impresses me every time . . . shes warm and earthy and radiant, lighting up the screen with her smile!

even in bad films she is usually the one redeeming quality despite terrible screenwriting and wooden co-stars (i know everyones probably cringing remembering Gigli)

but here are six of the best:

1. Monster-in-Law (2005) - as Charlotte 'Charlie' Cantilini
also starring: Jane Fonda, Michael Vartan, Wanda Sykes, Adam Scott, Monet Mazur, Annie Parisse
when J.Lo meets the love of her life she soon realises his over-protective mentally-unbalanced mother will play dirty and stop at nothing to separate them, she decides to fight fire with fire
Jane Fonda and Jennifer Lopez in Monster In Law



2. Maid in Manhattan (2002) - as Marisa Ventura
also starring: Ralph Fiennes, Natasha Richardson, Stanley Tucci, Bob Hoskins
a cinderalla story where J.Lo is the maid in a ritzy hotel and through a mistaken identity is courted by a rich politician
Jennifer Lopez and Ralf Fiennes in Maid In Manhattan


3. Shall We Dance (2004) - as Paulina
also starring: Richard Gere, Susan Sarandon, Lisa Ann Walter, Stanley Tucci
J.Lo inspires a bored middle-aged married man to find his passion through dance
Richard Gere and Jennifer Lopez in Shall We Dance


4. The Cell (2000) - as Catherine Deane
also starring: Vince Vaughn, Vincent D'Onofrio, Tara Subkoff, Peter Sarsgaard, Jake Thomas
a thriller where J.Lo is a psychotherapist who journeys inside the mind of a comatose serial killer in the hopes of saving his latest victim (visually stunning, dream/nightmare sequences rival Pans Labyrinth)
Jennifer Lopez in The Cell

Jennifer Lopez in The Cell



5. The Wedding Planner (2001) - as Mary Fiore
also starring: Matthew McConaughey, Bridgette Wilson, Justin Chambers, Judy Greer
a cute comedy of bad timing where J.Lo is the wedding planner who falls in love with the groom
Judy Greer and Jennifer Lopez in The Wedding Planner


6. Enough (2002) - as Slim Hiller
also starring: Bill Campbell, Juliette Lewis, Dan Futterman, Noah Wyle
inspiring and liberating tale where J.Lo is the victim of domestic violence and stalking trains in self defence and the martial arts to save her daughter and fight back the next time the ex attacks
Jennifer Lopez in Enough


143
Vote
   


REVIEW: Into The Wild

May 14th 2008 13:39
Directed: Sean Penn (The Pledge, The Crossing Guard)

Written: Sean Penn (screenplay) - based on the book by Jon Krakauer

Starring: Emile Hirsch (Imaginary Heroes, The Emporers Club), Hal Holbrook (The Bachelor, The Client), Catherine Keener (Friends With Money, Capote, Being Johnn Malkovich), Vince Vaughn (Wedding Crashers, The Cell, Psycho), Jena Malone (Cheaters, Donnie Darko), William Hurt (The Village, The Big Chill), Marcia Gay Harden (American Dreamz, Mona Lisa Smile)

This film is based on the true story of Christpher McCandless (Hirsch), a middle class young man who graduates Emory University as a top student and athlete in 1992, abandons all his possessions and hitchhikes across the USA to the wilderness of Alaska. McCandless donates his life savings to charity, becomes estranged from his parents (Hurt and Harden) and his sister (Malone), and embarks on a journey of self-discovery away from the trappings of the modern materialistic world . . . he is searching for happiness by being alone and self-reliant and emmerced in nature . . . he is searching for happiness by discarding all he has ever known and plunging deep into the wild. McCandless changes his name to "Alexander Supertramp" and tries to escape the mental trauma of his manipulative and domineering parents . . . he is essentially running away and searching for his own identity in isolation from his over-bearing family . . . but the journey to Alaska takes a couple of years and along the way he encounters a series of dynamic characters (including Keener, Vaughn, and Holbrook) who shape his life, philosophies and the way he relates to other people. The soundtrack was mostly composed and performed by Eddie Vedder from Pearl Jam and the film was one of the most critically acclaimed indie flicks of 2007 earning Hal Holbrook an Oscar nomination. This is a very contemplative film that examines through dialogue how different people prioritise relationships and material possessions. The film makes you question what the point of life is, and how can we can ultimately achieve happiness. McCandless first appears as an ungrateful spoilt brat who could never truly understand what poverty or hardship is but as the film progresses you begin to admire his quest for knowledge and truth . . . he soaks up knowledge like a sponge yet can never feel satisfied because he cant locate what he is missing no matter how remote his travels become . . . the resounding message being "happiness is only real when shared" . . . a sweet tragic story with excellent performances.

Eddie Vedder music video "Hard Sun" featuring footage from Into The Wild


Emile Hirsch (as Chris McCandless) and Catherine Keener in Into The Wild (dir: Sean Penn)


81
Vote
   


REVIEW: Death At A Funeral

May 13th 2008 14:57
Directed: Frank Oz (The Stepford Wives, In & Out, Housesitter, Dirty Rotten Scoundrels)

Written: Dean Craig (Caffeine)

Starring: Matthew Macfadyen (Pride & Prejudice, Enigma, Maybe Baby), Rupert Graves (Mrs Dalloway, TV mini-series Charles II: The Power & the Passion, TV mini-series The Forsyte Saga), Alan Tudyk (A Knights Tale, Serenity, Knocked Up), Kris Marshall (Love Actually, TVs My Family), Ewen Bremner (Trainspotting, Black Hawk Down)

This film claims to be the funniest British comedy since Four Weddings & A Funeral . . . it is funny, but its not THAT funny! The essential difference is that the story does not focus on just one person primarily, we are looking at a HUGE cast of characters who are all trying to be crammed in with equal time . . . Matthew Macfadyen is dull as dishwater (as usual) but luckily the rest of the cast bounce off each other really well . . . im a devoted fan of Rupert Graves and he does not disappoint, i only wish he had a bit more screen time and his character was a bit more developed . . . Tudyk, Marshall, and Bremner are hilarious and provide all the laughs with their characters, they are of course all the no-hopers of the family, but it works well. This film is a black comedy which relies fairly heavily on visual gags, it is basically the same kind of humour employed in TVs Fawlty Towers but without the dynamic character of Basil Fawlty to drive it home. The whole film is set the day of a fathers funeral, his adult sons (Macfadyen and Graves) are blackmailed about a secret from the fathers past, Marshall is a college pharmacy student (ie drug dealer) cousin and Tudyk is the adorable unliked fiance of the daughter who becomes the unfortunate victim of some mis-labelled pills (ahh acid - fun premise) when trying to make a good impression . . . these two catastophes combined with the meddling of every other eccentric family member lead to some very strange scenarios and a wholesome resolution that should satisfy most audiences.



a short clip of a drugged Alan Tudyk:




Kris Marshall and Ewen Bremner in Death At A Funeral (dir: Frank Oz)


77
Vote
   


Top Ten Queer Films

May 10th 2008 15:08
Gays, lesbians, drag queens . . . "queer" films explore gender and sexuality and as requested by a fellow film reviewer i have strained my brain and come up with my personal favourite TOP TEN Queer Films . . . there are so many great queer films to choose from, and many more films with great gay characters, but the criteria i used to select the films on this list were:
a) films with queer character(s) who are central to the plot and are good role models
b) films with overall positive messages about the queer community
c) films containing educational dialogue which attempts to explain the experience of being queer

Please see Jason's original list and the challenge he issued me CLICKHERE to see "Top Ten Films With A Gay Theme" on Salty Popcorn

1. Hedwig & The Angry Inch (2001)
Starring: John Cameron Mitchell, Michael Pitt
Girlie boy Hansel Schmidt (Mitchell) undergoes a botched sex change operation to escape communist East Berlin and comes to America as Hedwig Robinson. Quickly divorced by her military husband and betrayed by her musical prodigy (Pitt) Hedwig spends the film examining whether she is male or female and attempting to find success in life and love. This is a film about discovering your identity, surviving when life hands you a raw deal, and accepting yourself despite the obstacles of gender.

Michael Pitt and John Cameron Mitchell in Hedwig


2. Flawless (1999)
Starring: Phillip Seymour Hoffman, Robert DeNiro
When homophobic police hero (DeNiro) has a stroke he turns to his drag queen neighbour (Hoffman) for cheap singing lessons to help his vocal rehabilitation. Both characters are forced to reassess themselves, their relationships and their prejudices. This film is about facing your demons and the personal growth that happens with acceptance.

Phillip Seymour Hoffman and Robert DeNiro in Flawless




3. The Birdcage (1996)
Starring: Robin Williams, Nathan Lane, Gene Hackman, Dianne Wiest, Dan Futterman, Calista Flockhart, Hank Azaria
A gay couple (Williams and Lane) have raised a son who declares he wishes to marry the daughter (Flockhart) of a conservative politician (Hackman). Their home is above a gay drag nightclub that they own, manage and perform in and for the marriage to go ahead they believe they have to host their future in-laws whilst pretending to be straight. This film is a very funny comedy which deals with the hurt of being forced in the closet.

Robin Williams and Nathan Lane in The Birdcage


4. Stage Beauty (2004)
Starring: Billy Cruddup, Claire Danes, Rupert Everett, Hugh Bonneville, Tom Wilkinson
Set in the days where women were not allowed to act on stage and all the parts were played by men, this is based on the real life story of Kynaston (Cruddup) a gay man who has made a career from convincingly playing a woman in Shakespearian plays. The tables are turned when men are banned from playing womens parts and Kynaston discovers he does not know how to be a man in real life or on stage.

Claire Danes and Billy Cruddup (Kynaston) in Stage Beauty


5. Kinky Boots (2005)
Starring: Chiwetel Ejiofor, Joel Edgerton
To stop the family shoe manufacturing business from going broke a naive young man (Edgerton) enlists the help of a flamboyant drag queen to design shoes for men who dress as women to tap into a niche market. This film promotes thinking outside the square and giving ideas (and people) who are different a chance.

Chiwetel Ejiofor (Lola) and Joel Edgerton in Kinky Boots


6. Imagine Me & You (2005)
Starring: Piper Perabo, Lena Headey
This is the cutest lesbian film you will ever see! When the bride at a wedding (Perabo) meets the florist who delivers her bridal bouquets (Headley) it is love at first sight. There is much dancing around the feelings and flirting with temptation as the bride tries to come to terms with her sexuality despite loving her new husband as a best friend.

Lena Headey and Piper Perabo in Imagine Me & You


7. Bound (1996)
Starring: Jennifer Tilly, Gina Gershon, Joe Pantoliano
And this is the coolest lesbian film you will ever see! A closet lipstick lesbian (Tilly) and a butch jailbird lesbian (Gershon) are neighbours who flirt and experiment while trying to outsmart the mobster boyfriend (Pantoliano). This film compares the credability of the two women according to whether they are out and shows how a lesbian relationship can go largely unnoticed.

Jennifer Tilly and Gina Gershon in Bound




8. Kissing Jessica Stein (2001)
Starring: Jennifer Westfeldt, Heather Juergensen, Tovah Feldshuh
When a highly strung young jewish hetero woman (Westfeldt) places an advertisement in a personals column a free-spirited bi-curious female (Juergensen) answers and they unexpectedly have a meeting of the minds and attempt a relationship. This film examines the difference between emotional and sexual connections and exposes how women short-change themselves searching for "perfection" rather than appreciating what they have.

Heather Juergensen and Jennifer Westfeldt in Kissing Jessica Stein


9. Victor Victoria (1982)
Starring: Julie Andrews, James Garner, Robert Preston, Lesley Ann Warren
A female singer (Andrews) finds herself out of work and out of money. She moves in with a gay friend (Preston) who convinces her to impersonate a drag queen - a woman pretending to be a man pretending to be a woman - and the charade becomes a huge success in the local club. When a male love interest (Garner) enters the picture he is attracted to the drag queen, not realising she is a genuine woman, and is uncomfortable with people thinking he is gay. This film is an incredibly clever excercise in putting yourself in someone elses shoes to understand the prejudices they endure.

Julie Andrews and James Garner in Victor Victoria


10. Torch Song Trilogy (1988)
Starring: Harvey Fierstein, Matthew Broderick, Anne Bancroft
This is the autobiographical tale of Harvey Fierstein as a young gay man looking for love and acceptance. The film chronicles the domestic relationships he has with his lovers (including Broderick) and his mother (Bancroft) in an honest and endearing way and is a MUST SEE for every gay man!

Harvey Fierstein and Matthew Broderick in Torch Song Trilogy
143
Vote
   


REVIEW: Déjà Vu

May 9th 2008 14:13
Directed: Tony Scott (Domino, Enemy of the State, The Fan)

Written: Terry Rossio (Shrek, Pirates of the Caribbean) and Bill Marsilii

Starring: Denzel Washington (Training Day, Fallen, The Bone Collector, The Pelican Brief, John Q), Paula Patton (Hitch), Val Kilmer (The Saint, The Doors, Tombstone), James Caviezel (Pay It Forward, Frequency, The Passion of the Christ)

Doug Carlin (Washington) is an american ATF (Alcohol, Tobacco and Firearms department) special agent travelling back in time to try and prevent a terrorist attack and save a woman called Claire (Patton) from being murdered in the process. This movie has nothing to do with the actual sensation of déjà vu except to suggest that perhaps travelling back to a time where your younger self exists may (unexplainably) produce some shared consciousness of the two versions of yourself that may give the younger one a sense of familiarity with events about to occur . . . *sigh* . . . I always have problems with these time travel movies, the concept of time travel is not logical and im yet to see a film director yet who can either explain the concept satisfactorily or at the very least glaze over it neatly enough so that we are not distracted from the other elements of the film . . . maybe Terminator . . . but regardless this whole movie is pretty poor, the bad guy/terrorist (Caviezel) has unbelievably flimsy motives, the terrorist target is a cruise boat full of smiling navy officers and their innocent families so it is revoltingly patriotic, the technology and how they stumbled upon it and how only a small team of misfits is aware of it or entrusted to run it is nothing short of ridiculous . . . but if you want to see Denzel Washington flirt with a pretty girl with his shirt off and vacantly observe a few cool explosions than this is your movie . . . id put it in the same basket as Armageddon, Pearl Harbour and Independence Day . . . maximum enjoyment can only be gained by not thinking about it at all!

Denzel Washington in Deja Vu
45
Vote
   


In response to Cibbuanos "Why I Hate Atonement"

Cibbuanos challenge:

"If you've got a conflicting opinion, or would like to point something out, feel free to do so in the comments below! My memory of "Atonement" is, thankfully, fading, and I'll never sit through it again, so remind me of key scenes that I missed!"

Im going to do a full review of this film anyway so i thought i would also try and give another perspective on some of the particular aspects of the film Cibbuano mentions.



Directed: Joe Wright (Pride & Prejudice)

Written: Christopher Hampton (The Quiet American, Mary Reily) - screenplay adapted from the novel by Ian McEwan

Starring: Keira Knightly (Domino, Pride & Prejudice, King Arthur, Love Actually), James McAvoy (Narnia, The Last King of Scotland), Saoirse Ronan (Death Defying Acts), Harriet Walter (Sense & Sensibility), Gina McKee (Notting Hill, The Forsyte Saga), Brenda Blethan (Pride & Prejudice, Secrets & Lies, Little Voice), Vanessa Redgrave (The Pledge, Girl Interupted)

** WARNING: REVIEW CONTAINS SPOILERS **

Atonement is a film like The Usual Suspect or The Sixth Sense in that its final scene reveals a truth that makes the viewer re-assess all the scenes before it. In this regard i would classify Atonement as a "two-watch-film" better suited to dvd than as a single viewing at a cinema . . . you really need to rewind it and watch it a second time . . . and thats where the beauty of the film lies, in being able to compare the first watch with the second watch.

I find it really annoying that every film is always marketed as a "romance" even when the romantic element is more of a sub-plot or a catalyst for the real message of the film-maker. Atonement is not a romance, it is a film with romantic elements . . . maybe 90% of people who enjoy Atonement will enjoy it because it appeals to their romantic sensibilities . . . but if you require more out of a film than just romance i suggest you still give Atonement a chance.

Atonement is a film about regret . . . deep-set, sickening, maddening, guilt-ridden regret . . . the kind of regret that eats away at a person and takes over their life, occupying their every thought . . . regret for things they cannot change and cannot forget.

Atonement is about a 13 year old girl called Briony (Saorise Ronan) who made a mistake which led to consequences she could never fully understand the weight of. As an adult aged 18 she realises the gravity of her childhood actions, the years of growing up gave her the perspective to understand the things she saw as a child, she reassesses the situation and realises she was wrong . . . the problem being that because her childhood mistake coincided with war time and the people she needed to seek redemption from are dead . . . she is wracked with guilt as she cannot undo what had been done and she can not seek forgiveness . . . she spends her whole life desperately seeking atonement.

In the final scene of Atonement, Vanessa Redgave plays Briony as an old woman, a successful writer who has found out she is dying from dementia. In an interview promoting her latest and last book "Atonement" she reveals that it is a biography, but with an alternate ending to real life where she allows the characters to meet up again and live happily ever after in love. We realise the whole movie we have been watching so far was the "version" of the story that Briony wished had happened . . . in reality Robbie (James McAvoy) died of septicemia (blood poisoning) in the war before he ever got back to Cecilia (Keira Knightly) who died in bombings at home the same year . . . we realise what we have been watching up until this point is the fantasy of a little girl, a little girl in an old body who can never forgive herself.

The ending with Vanessa Redgrave is a relatively short scene but i didnt think it felt rushed at all. Redgrave embodied the guilt of a child beautifully, hanging her head and slumping and pausing in shame and distress . . . she desperately wants someone to hold her accountable for her actions, she wants to confess . . . the fantasy we saw earlier of her confessing to Robbie and Celcelia as an 18 year old is for her own benefit, not theirs, as the lack of closure has tormented her for her whole life.

This film essentially does follow a linear time-line. What is does is use a "double-take" where a scene is shown from the point of view of Briony as a 13 year old and then re-told from her enlightened position of understanding as an adult. Briony sees Robbie and Cecilia at the fountain and it seems like he orders her to take her clothes off and then pushes her in the water to gawk at her naked body through her see-through slip, the childs mind sees a sex-crazed pervert. The "double-take" shows Robbie and Cecilia as equals talking, a vase smashes and she jumps in the fountain to retrieve the handle, Robbie cautions her not to step on the broken shards. It is amazing watching the scenes from different perspectives back to back. This happens again with the sex scene in the library. We are asked to compare the two points of view: the mind of the child and the mind of the adult.

I think the typewriter sound serves a couple of purposes. One is to represent the dramatic imagination of a child where everything seems more interesting than what it really is and can be translated into a fantastic (typed) story. We see Briony typing away a script for a play on her typewriter, she is a dramatic kid and her mind takes in all the melodrama of the household like clicks on the typewriter. The scenes where Briony is not directly involved or observing do not have the typewriter noise (eg the war scenes and imagined reunion) but as soon as Briony steps back into the picture as an adult nurse the typewriter resumes. Another use of the sound effect is to punctuate the importance of the typed letter Robbie wrote to Cecilia with particular reference to the word "cunt" as though the typing of those four seemingly innocent letters were the action the altered the course of his fate. The word is displayed as the camera is zoomed in tight to the page and we see the keys hit the page and the ink mark out each letter, each letter is like a nail in his coffin, the typing of that particular word is repaeated four times throughout the film to remind us how dire the consequences of typing it were.

It is also ironic that the letter Robbie intended to give to Cecilia is handwriten and he mistakenly puts the typed letter which contains the profanity into the envelope . . . the typed word represents danger in this film

The long Dunkirk scene makes more sense when we realise who is telling the story and how and why they are telling it. Briony compiled first hand accounts of what happened at Dunkirk and transformed them into one huge winding picture in her mind. The picture she creates is extremely stylised and condenses many horrific and absurd things into one scene of dystopia. Briony herself has not actually been to war, she has just seen the results and heard the stories from the injured soldiers. She imagines the horrors and torments of war going on and on and tiring Robbie out, she is essentially trying to put herself into Robbies shoes and recreate the "madness" of war. The scene has a surreal feel to it with people randomly shooting horses and smashing radiators while soldiers do gymnastics, sing in a choir, have fist fights and ride on carnival rides. The Robbie she imagines is disoriented and delirious (remember she knows he really had blood poisoning) and staggering about trying to find some water. The torments of this war scene also mirror Brionys inner torment . . . both go on and on, seemingly endless.

Telling stories from the perspective of an overly imaginative mind was something that was examined more blatantly in the 2003 Tim Burton fantasy flick Big Fish.

This also explains the continued use of romantic cliches like running after the car/bus/train as it pulls away from the station/side of the road with your lover aboard . . . these are all the imagined scenes that Briony wishes had happened, that she thought Cecilia and Robbie deserved.

There is symmetry between the imagined Robbie at war and the remembered Robbie from childhood . . . there is a scene where Robbie saves 13 year old Briony from drowning and chastises her that they both could have died, that is placed along-side a scene where he happens across a field of slaughtered school girls (about Brionys age) lying on the ground that he is hopeless to save . . . this shows that as an old lady, who was an experienced nurse, Briony can put her own childish troubles in perspective.

There is also symmetry between Briony the 18 year old nurse and the imagined Robbie so we can see that they are one and the same . . . he is a figment of her imagination while he is a soldier at war . . . they both enter cinema screenings at different times, she nurses a soldier who dreams of love on his death bed and she imagines that is what Robbie would have done too.

James McAvoy takes my breath away as the long-suffering Robbie in this film, his portrait of a man in pain is nothing short of exceptional, you can see it in his eyes, you can hear it in his voice . . . in the scene where Robbie meets Cecilia for a cup of tea for the first time in 3 years he is just the shell of a man tetering on the edge of breaking point . . . i found his performance genuine and heartbreaking as we see him deteriorate from and gentle fun-loving simple boy to a sad tense broken-spirited man . . . the implication being that he died because he had lost all hope.

I hope anyone who didnt like this film because it was a "romance" with alot of cliches looks at it again as the reconstruction of events by the mind of an idealistic child trapped in the body of a tormented old lady . . . it is the "romanticism" which is truly sad and moving when it is revealed it is the exact opposite of the truth . . . the atmosphere has all the intrigue of Gosford Park and the irony of Life Is Beautiful.

special thanks to Cibbuano for inspiring this indepth analysis - it was a bit long to put in your comments

Really Long Link
embedding is disabled but this is the link to the youtube video of the "cup of tea" scene where James McAvoy breaks my heart

James McAvoy in the


86
Vote
   


More Posts
1 Posts
7 Posts
10 Posts
54 Posts dating from August 2007
Email Subscription
Receive e-mail notifications of new posts on this blog:

Morgan Bell's Blogs

2249 Vote(s)
180 Comment(s)
29 Post(s)
2642 Vote(s)
37 Comment(s)
50 Post(s)
6580 Vote(s)
1126 Comment(s)
65 Post(s)
Moderated by Morgan Bell
Copyright © 2006 2007 2008 On Topic Media PTY LTD. All Rights Reserved. Design by Vimu.com.
On Topic Media ZPages: Sydney |  Melbourne |  Brisbane |  London |  Birmingham |  Leeds     [ Advertise ] [ Contact Us ] [ Privacy Policy ]